I fondly recall collecting Claremont and Byrne’s X-Men and following
Byrne over to his classic Fantastic Four run. His short run on the
Incredible Hulk was abruptly brought to an end and was one of the
precipitating events that led Byrne to leaving Marvel Comics. Marvel’s
lost was of course DC Comics’ gain as Byrne took on DC flagship
character, Superman.
In the early 1980s, Superman and Action Comics were in a bit of a tailspin
and was suffering a bit of creative burnout as they retreated a lot of
the 1960s and 1970s. Byrne was just what just what Superman needed.
From Byrne’s forward to the Man of Steel trade paperback:
“Now,
nearly thirty years after I saw that listing for a new television
program [George Reeves’ Superman], DC Comics has hired me to guide the
reshaping of the Superman Legend. To try to pare away some of the
barnacles that have attached themselves to the company’s flagship title.
To try to make Superman of today as exciting in his own right as was
that primal Superman of yesterday. To try to re-create Superman as a
character more in tune with the needs of the modern comic-book audience.
A much smaller audience than when I was ten years old. But a much more
demanding one, too.
Man
of Steel was a six issue limited series that then led to the kick off a
new Superman #1, Action Comics #584, and The Adventures of Superman
#424 (by Marv Wolfman and Jerry Ordway, and taking over Superman’s
numbering.) Byrne took us back to Krypton and reimagined the Kryptonians
and their society. And then not only did Byrne get to retell how Clark
made his way to Metropolis (Byrne actually made Clark Kent a jock!) and
established himself as Superman, but he had fun playing Superman’s
relationship with DC’s holy trinity, Batman and Wonder Woman. I loved
the conflict that arose from Superman and Batman not really getting
along in their initial encounters.
At
his core, Byrne’s Superman was human. The nurture won over the nature.
From the first issue, we have Clark seeking refuge in his Smallville
room after being overwhelmed by the public reaction to his super powers.
Ma and Pa Kent support him and help him design his classic costume. And
those last 5 panels of Man of Steel #1 still make me smile today. It’s
interesting that Byrne didn’t recreate the Fortress of Solitude, which
would have watered down the ties to his Smallville family.
In
issue #2, the modernized Lois Lane took center stage and Byrne cleverly
plays on the damsel in distress stereotype to force a confrontation
between her and Superman. Despite her cleverness, Lois doesn’t get the
big scoop as she was beat to the story by an up-and-coming journalist
named Clark Kent.
Not only did Byrne get to retell how Clark made his way to
Metropolis (Byrne actually made Clark Kent a jock!) and established
himself as Superman, but he had fun playing Superman’s relationship with
DC’s holy trinity, Batman and Wonder Woman. I loved the conflict that
arose from Superman and Batman not really getting along in their initial
encounters. In issue #3, the first encounter between Superman and
Batman was an uncomfortable one at best with Superman branding Batman an
outlaw and Batman intentionally keeping the powerful alien at a
distance. Unfortunately, the new villain Magpie wasn't that much of an
antagonist, but it served the story purpose to force the confrontation
between Superman and Batman.
With issue #4, a revamped Lex
Luthor got to test his new adversary. Byrne changed Luthor from a
diabolical super-scientist to a 1990s industrialist and ruthless
capitalist. I know a lot of hardcore Superman fans didn’t like this
change, but I felt Byrne’s take on him added more dimensions to what was
pretty much a one-dimensional character. And in this issue, Luthor
quickly learned that Superman's integrity couldn't be bought.
Issue
#5 allowed Byrne to flex a bit of his action muscles as it had Superman
take on Bizarro, a Luthor cloning experiment gone wrong, in a good
old fashioned slug fest.
The miniseries
wrapped up with issue #6 and solidified Clark's human roots. Up until
that point, Clark knew he was different and had seen his space ship, but
didn't really have any connection with his Kryptonian parents. Well
that changed with this issue and Clark was suddenly immersed with
Kryptonian information and met his biological parents for the first
time. Byrne cleverly grounded Clark back in the reality of Smallville as
he's forced to recognize the emotional damage his alien heritage and
powers can cause, particularly for Lana Lang as Clark's former high
school love and confidant.
This classic story ended with Superman's affirmation of his Kryptonian origin, but firmly grasping his human heritage.
“I
hope you’ll stay with us as Superman sets forth into the eighties, the
nineties, and with any kind of luck, on into the twenty-first century.
And who knows, maybe in thirty years or so someone will sit down at word
processor and write about how Superman began with a miniseries called
The Man of Steel, which was an introduction to a world of wonder and a
fascination that lasted a lifetime. Maybe that someone will be you!”
Byrne
was right about that last part in so much that it did kindle within me a
love for Superman that had been absent until his revamp of the iconic
character. I really enjoyed Action Comics as well since it really showed
Byrne at his best, allowing him to play with other DC characters.
%23028p01.jpg)
%23004p03.jpg)
%23005p02.jpg)
